School

What

A ten days workshop that will consist of interactive lectures and mentored field work and post-production work in groups to up to 5 participants. English is the working language of the school

Each group will have had finished a short movie of their own, based on their own ideas and research. The movies will have an open screening on the 20th of July, and will also be screened at our partner festivals Etnofff in Skopje, Northern Macedonia, SEF in Zadar and ETNOFILm in Rovinj, Croatia. Most successful films may also be screened on other festivals.

The goal of the project is to introduce visual anthropology to established professionals in film making and/or social sciences who would like to broaden their perspectives as well as to scholars who are new to this field(s). We provide theoretical and practical workshops, involving filming and post-production of short anthropological films. The call is open for applicants with or without experience - what matters is enthusiasm towards promotion of social awareness through visual anthropology.

Our aim is to encourage critical thinking,o fostering tolerance for the Other, while broadening the knowledge of participants as film-makers and social scientists.

Participants will work in multinational teams and will learn in a creative manner about approaching social issues with sensitivity. We find it crucial for any filmmaker to be able to develop an ethical relationship towards the material they are working with and most importantly to the protagonists of their films.

Our lecturers and mentors come from different fields ranging from feature film through documentary to academic disciplines of social sciences and will share their knowledge through theoretical lectures, analysis of ethnographic films and sensory-ethnographic exercises. They will also assist participants in fieldwork and post production. Participants will learn from each other as well as from our professors – we find the exchange of ideas through teamwork as important as the knowledge that we have to offer.

Lecturers from various countries will share their individual methods, introducing scholars to audiovisual longitudinal fieldwork. The methods our school promotes include participatory observation, cinema verité, direct cinema, sensory ethnography and more. Academic professors, professional filmmakers and young researchers with background of experimental film genres from Germany, Greece, Hungary, Italy, Northern Macedonia, Slovenia, USA and Serbia will hold intensive classes during 4 days in cozy atmosphere on many locations in the city: Faculty of media and communication, Ethnographic Museum, SUN Hostel etc.

Through interactive lectures students will be able to, in accordance with their research topics, recognize and apply methods in their movies. Participants will be introduced with advanced techniques of recording, working with camera in field terms, editing procedures and different methods in archiving materials.

Having adopted the theoretically based and practical knowledge in this field, students will be able to independently make social responsible media content, thus spreading impact among peers and general public.

All participants will attend the interactive lectures together. The language of the lectures will be English. Every filming group will be supported by professional mentors experienced in ethnographical fieldworks and filmmaking.

Relja Pekić, MA of Ethnology and Anthropology at the Faculty of Philosophy, University of Belgrade. Director of the Visual Anthropology Center, Belgrade. Active as a member of the international collective VIZANTROP, editor of their monthly online magazine.

Miklós Barna-Lipkovszki, born in Budapest, Hungary (1987). MA of Documentary film-making at the University of Theatre and Film Arts, Budapest.  Technical director of the Visual Anthropology Center. He is a documentarist: he writes, takes still or moving pictures. He also works in theater – taking videos, photos or even acting in indie performances. he is active as a translator, writer and creator of projects, works as a fixer, manages databases - as long as it’s challenging, interesting, enticing and it serves a purpose. Has lived in Italy, Germany, Serbia.
Known for his communication skills, sense for aesthetics, knowledge of history and politics. He is proud of his large international network of friends and colleagues including fellow journalists and artists but all kinds of people who motivate and help him.

Camillo Pasquarelli was born in Rome (1988). Only after completing his studies in political science and anthropology, he decided to devote himself entirely to photography. Nowadays, is mostly interested in personal and long-term projects and deals with documentary photography trough the combination of the anthropological approach and the photographic medium. Since 2015 he has been working on a visual project about the valley of Kashmir, India, exploring the notion and the experience of conflict, memory, religion and political aspirations.

In 2017 he received one of the Alexia Foundation Student Grant to keep working on  “Endless winter”.In 2018 was selected for the NOOR - Nikon Masterclass in Turin, Italy. His projects received several awards such as LensCulture B&W, Short Story at World Report Award, Feature Shoot Emerging Photographer, 1st prize at Fotoleggendo, 1st prize at Kuala Lumpur International Photo Awards.
Furthermore, his works have been published on Time, Der Spiegel, National Geographic, Internazionale, BuzFeed, Mashable, Il Reportage, Gazeta Wyborcza, Il Manifesto, Left, among others.

He have been exhibited at festivals in US, England, Russia, Italy, Spain, India, Israel, Lithuania, Malaysia, United Arab Emirates.

Valentino Bianchi was born in 1988 in Rome, Italy. After several years abroad, (England, Spain, Kuwait), he currently lives in Palermo, Sicily. He is a reportage and portrait photographer specialized in the analog and film photography. While he began taking photographs several years ago, he only started taking the medium of photography seriously when he discovered the hands-on nature of black-and-white film and what are now referred to as 'traditional' printing methods. For him, nothing else can do this. “Film photography allows me to consider my work over time as part of a creative process. I thoroughly enjoy develop and printing my own negatives.“ He is currently working on two long term reportage and he documents the everyday life of the people that lives the city of Rome, especially for the Rione Trastevere, working for the local newspapers.

Antonin Blanc is a film director and cinematographer based in Paris, France. His works have screened at several international film festival, and he has worked for various companies spanning the mainstream to the art house, such as Capa, Vice, CNN, Universal Pictures, Tencent News, Le Front de Gauche, and les productions de l'insensible. His current work topic is related to the city, the notions of movement, History, and how do individuals mingle with these invisible ties.

​https://vimeo.com/antoninblanc/

https://www.antoninblanc.com/

Slobodan Naumović Associate Professor at the Department of Ethnology and Anthropology, University of Belgrade, SRB.

He does research in Political Anthropology, Visual Anthropology, Historical Anthropology, Memory Studies, Socialist and Postsocialist Worker's Culture and Industrial Heritage. Their most recent publication is 'Оглед о филму "Енклава" Горана Радовановића: шта проживљавамо и чега се сећамо размишљајући о искуству гледања једног савременог историјског кинематографског дела' (Essay about the film "Enclave" by Goran Radovanović ...) . Slobodan Naumovic currently works on collective memory and workers' c culture in pre-socialist, socialist and post-socialist era industrial and family photography in a mining and metallurgical town in Serbia.

Thomas John, Research Associate, Department of Cultural Anthropology, Institute for Latin American Studies at the Free University Berlin, GER.

At the moment he is finalizing his PhD thesis on affective and emotional negotiations within a local South Mexican indigenous audio-visual documentary art scene.

He is a trained filmmaker and visual anthropologist, too, and teaches since 2013 practical and theoretical audio-visual anthropology classes at the WWU Münster, where he is involved at the Institute of Ethnology and the MA Visual Anthropology, Media and Documentary Practices. https://weiterbildung.uni-muenster.de/anthropology

He is interested especially in exploring the filed of intersection between documentary arts and visual anthropology, artistic research practices, and experimental modes of the representation of human experience.

Sarah Lunaček-Brumen, Associate Professor, Department for cultural anthropology, The University of Ljubljana, SLO

She graduated from Ethnology, Cultural Anthropology and Sociology of Culture with a degree in African cinema. She also visited the African Film Festival in London, Milan and Ougadougou, and participated in the selection of films and the writing of a catalog for the retrospective of the African film at the Slovene Cinematheque in June 2000. As a young researcher at the Department of Asian and African Studies, between May 2003 and August 2004 at Tuaregs in North Niger, conducted a field research for the Doctoral Thesis Perception of Europeans and Americans and the West Agadez (Niger) views, which she advocated in December 2008. She completed postdoctoral studies at the Maison Meditéranéennne des Sciences de l'Homme in Aix en Provence in France (EGIDE scholarship) on the topic of social stratification of Tuaregs and development studies and at the University of Belgrade (exchange of Erasmus External Window Coopeartion BASILEUS), where she began to explore the links between SFR Yugoslavia and Africa during non-alignment.

At the University of Belgrade, as well as in Nova Gorica and Koper, she conducted several guest lectures, attended international anthropological conferences. In June and July 2005, she organized an exhibition of photographs by Souleyman Mohammed The Modern Nomads in collaboration with the Slovenian Ethnographic Museum and the Murska Sobota Provincial Museum. She is a member of the International Editorial Board of the Afrika magazine - the Arts and Culture Study, the Africanist Network at EASA, the African Center and the Liminal Institute.

Igor Čoko  Photographer. Holds a degree in Ethnology and Anthropology. Belgrade, SRB.

Editor in chief at Grain photo magazine. Coordinator for Serbia, Western Balkans and North Macedonia at BULB collective.

In his role of visual anthropologist he uses  his camera to capture and explore the sensibility of the street life, its people and life of stigmatized social groups. His photographs are published in leading magazines and newspapers from former Yugoslavia and Europe. His photo books are part of Hasselblad foundation library fund in Gotheburg, Sweden. "Karaburma my ghetto" photo essay has been published in "World street photohgraphy vol 5." photo book, Frankfurt, Germany 2018.

Konstantinos Aivaliotis, Director of Promotion at the Greek Film Centre Athens, GR

Doctor of Philosophy (Ph.D.), Social Anthropology · (2010 - 2014) at the Panteion University, Athens. Before that he obtained a Master of Arts (M.A.) degree in Visual Anthropology Goldsmiths College, U. of London, and Master's degree in Sociology and Anthropology Université de Rouen. Apart from work at the Greek Film Centre, he is a pert of the organizing committee of the Summer School "Visual Ethnography of Cityscapes". Before that he was the festival director of the Athens Ethnographic Film Festival and a programmer at the Athens International Film Festival.

Elizabeta Koneska, Ethnologist, Skoplje, MK

Studied Philosophical faculty in Belgrade University and master degrees finished in Istanbul at "Mimar Sinan" University. Works at the National Museum of Northern Macedonia. The topic‘s of scientific interest are Slavic Orthodox community in Istanbul, Turkish and other Muslims ethnic and religious communities in Northern Macedonia; Traditional food; Metalwork crafts. Published text for tree photography-monographs.

Since 1993 works on visual ethnography, research, wrote screenplays and directed about 14 ethnological and documentary films, shoot in Macedonia and Turkey. Amongst other awards, she got the Grand Prix for the film „Peace for All", at the 16. International Ethnographic Film Festival, Belgrade 2007.

Ivana Todorović is the director of short socially-engaged documentaries. The films she has directed in Belgrade and NYC are,  "When I was a boy, I was a girl," "A Harlem Mother", "Rapresent" and "Everyday life of Roma Children from Block 71". Her films have been screened at more than 100 international film festivals, including the 63rd Berlin Festival, Berlinale Shorts; IFF Rotterdam, The Traverse City Film Festival (Michael Moore Festival), Palm Springs Shorts, Sarajevo Film Festival; Anthology Film Archive in New York and Cultura Contemporiana de Barcelona.

Ivana's films have received numerous awards at festivals in Serbia, Kosovo, America, Russia, Italy, Canada. The film "A Harlem Mother" was included in the online video library of the New York Times.

In 2018, Ivana received an MA in Fiction Film at the Faculty of Dramatic Arts  in Belgrade. She graduated from The Documentary Media Studies program at The New School in New York City and she has BA in Ethnology and Anthropology at the Faculty of Philosophy, university of Belgrade.  She was on the selection committee of the 65th Belgrade's Shorts and Documentary Film Festival, the German International Ethnographic Film Festival in Gottingen, STIFF from Rijeka, the Ethnographic Film Festival in Belgrade. She was a member of the jury of Dokufest in Prizren, Ethnofilm in Rovinj and Europe at Heart and Heinrich-Boll Stifung in Brussels. Ivana holds seminars and classes, educating young people through international documentary film workshops and has held a TEDxAUK speech in Pristina.

 July 10: day one: participants arrive to the accommodation. In the afternoon the introductory lecture will be held. Afterwards participants will get a detailed schedule of SVA and will be provided basic information about moving around Belgrade during a short introductory event.

July 11-13:theoretical and preparatory work: the first phase of the workshops will consist of interactive lectures by various professionals from different fields. There will be 4 lectures per day concluding every day with a practical exercise. The lectures will be divided in two blocks of up to 3 hours each, with a lunch break and smaller breaks.

July 14-17: fieldwork: participants will be divided in groups of up to 4; each group will have their own film mentor which will help have 3 days for shooting one movie per group.

 July 18-20: video editing: in cozy co-working space in SUN hostel every group will get their editing mentor to help them get their short films ready for the public screening on the evening of  July 20.

Belgrade is a rare example of metropolis on the Balkans. Our local participants will guide international ones through the orderly chaos of everydays in this eclectic crossroads city between East and West -- an inspiring environment where unusual subjects are nothing out of the ordinary.

The summer school activities will take place in the center of Belgrade on Faculty of media and communication, and partly in SUN hostel (Novopazarska 25).

Participants will have their full accommodation, breaks, mentor consultation, brainstorming and editing sessions in SUN hostel. Some of the international mentors will also be accommodated in the same hostel, so the participants will have a possibility for consultations at any time.

The organizers will provide 2 meals per day. Breakfast will be based on self-service, whilst dinner will be a warm meal.

Candidates applications will be accepted until 1st of June 2019.

The best 30 young students and professionals, selected on the criteria of experience, motivation and creative personalities, will attend an intensive film-making journey from 10 - 20th of July.

The successful applicants will be notified latest by 10th of June.

The pricing for the School is progressive. The price groups have been determined based on average GDP per capita.

Your price group is based on the country of your residence (or income), and not the country of your origin.

 

I               800 € Luxembourg, Norway, Switzerland, USA, Australia, Austria, Ireland, Netherlands, Sweden, Denmark, Canada

II             600€ Germany, Belgium, Finland,Iceland, France, UK, Japan, Italy, New Zealand, Spain, Israel, South Korea, Slovenia, Czech Republic, Taiwan, Cyprus

III            300 € Greece, Slovakia, Portugal, Estonia, Poland, Hungary, Chile, Turkey, Mexico, Lithuania, Latvia, Uruguay, Chile, Croatia, Romania, Argentina

IV            200€ Russia, China, Bulgaria, Serbia, Northern Macedonia, Bosnia and Herzegovina, Albania, Bangladesh, India, Lebanon, Montenegro, Peru, Colombia, Ecuador, South Africa, Belarus, Ukraine, Iran, Kosovo, Armenia, Georgia, Pakistan ...

 

First group is for residents in countries with GDP per capita above 45000 $, the fourth with less than 11355 $ which is the World average. For practical reasons the groups don’t contain all countries but only the ones we’ve been in touch so far. If your country is not on the list please contact us.

Based on our calculations one participants schooling, material, housing and food costs 400 €, which is the average of group 1. and 4. So for the SVA to be financially sustainable we decided to have this progressive pricing system.  If you cannot afford the price of your country, please feel free to contact us as well by e-mail with a special note after filling the application form.